No Man
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No-Man are an English art pop duo, formed in 1987 as No Man Is an Island (Except the Isle of Man) by singer Tim Bowness and multi-instrumentalist Steven Wilson. The band has so far produced seven studio albums and a number of singles/outtakes collections (most notably, 2006's career retrospective, All the Blue Changes). The band was once lauded as "conceivably the most important English group since The Smiths" by Melody Maker music newspaper,[1] and a 2017 article of Drowned in Sound described them as "probably the most underrated band of the last 25 years".[2]
Originally creating a sample-based proto-trip hop/ambient/electropop-styled music, No-Man has pursued a more organic, diverse and band-oriented sound in subsequent years. Drawing from a diverse mix of singer-songwriter, post rock, minimalist, progressive rock, jazz and contemporary ambient sources for inspiration, No-Man's musical style is distinctive yet difficult to categorise.
Steven Wilson originally launched the band in 1986 as a solo project called "No Man Is An Island (Except The Isle of Man)", recording an instrumental track called "From a Toyshop Window", which blended progressive rock with synth pop. In 1987, he linked up with singer, lyricist and occasional guitarist and keyboard player Tim Bowness, who at the time was singing with Liverpool-based art-pop band, Plenty (not to be confused with the more recent Japanese indie rock band, Plenty).
Bowness and Wilson continued working together on recording sessions for the next two years. Violinist Ben Coleman joined the project after becoming involved with recording sessions in late 1988. The band established a four-piece live line-up in 1989 by adding guitarist Stuart Blagden (who had previously played with Bowness in the Manchester-based band, Still).
No Man Is An Island released their debut single, a waltz time ballad called "The Girl From Missouri", on Plastic Head Records in mid-1989. The band was disappointed with the single and soon disowned it. Subsequent band evolutions saw flirtations with aggressive synth-pop (on the "Swagger" cassette EP) and the departure of Blagden (who would later become a jazz and Latin music player).
The first release under the No-Man name was the self-pressed June 1990 single release, "Colours" (a cover of the 1960s Donovan Leich song with crooned vocals and a dub-loop arrangement anticipating the later arrival of trip hop). The single achieved Melody Maker, Sounds and Channel 4 teletext "Singles of the Week" accolades and was re-released by Liverpool-based label Probe Plus in October, 1990.
The attention which "Colours" had received led to No-Man being signed by Dave Massey to a long-term music publishing songwriting agreement with independent Hit & Run Music Publishing. Massey soon secured a recording contract with the independent label One Little Indian. During this period, the band received highly positive UK music media support (including more Singles of the Week in Melody Maker, Sounds and Irish music paper, Hot Press) and had 2 indie top 20 hits ("Days in the Trees" and "Ocean Song") plus a Billboard Top 40 dance hit (the US only single, "Taking It Like A Man", at No. 34).[3]
In 1994 No-Man released their second album Flowermouth. Although the band parted company with violinist Ben Coleman during the sessions, he made a significant contribution towards most of the tracks on the record. No-Man also stopped performing live in 1994, and would not return to the stage until 2006.
Two albums released in 1995 closed the first phase of the band's career - a set of ambient dance reworkings of Flowermouth material called Flowermix and a compilation of the band's more ambient and atmospheric One Little Indian-era B-sides and rarities called Heaven Taste.
With each subsequent release the band moved further away from its more conventional pop and rock roots, mirroring the evolution of artists such as Talk Talk, David Sylvian, Radiohead, Scott Walker and Kate Bush. Since the mid-1990s, No-Man has released a steady stream of albums via Snapper Music and 3rd Stone/Adasam, featuring guests such as Fripp, Barbieri, Jansen, Theo Travis and Pat Mastellotto. The band has maintained a healthy cult following as well as continued critical acclaim.
1996's Wild Opera and its 1997 companion release Dry Cleaning Ray (both released on 3rd Stone Ltd.) explored a combination of darker dance sounds, experimental art-rock and deep trip hop, while maintaining No-Man's particular skill with ballads. An EP of all-new material, Carolina Skeletons, followed in 1998.
In 1999, the band released Speak, a compilation of mostly-unreleased early ambient songs recorded a decade previously but which Bowness and Wilson considered to be of equal merit to the music released on One Little Indian or 3rd Stone Ltd.
Speak's quieter and more atmospheric approach pointed the way towards No-Man's subsequent output. 2001's Returning Jesus (the last album to be released on 3rd Stone Ltd.) resurrected and expanded the eclectic ballad, jazz and progressive rock influences of Flowermouth and brought the band to a new and revived audience, some of whom had come in via the continued success of Wilson's other main project Porcupine Tree.
Signing a new deal with Snapper Music, the band went on to release Together We're Stranger in 2003 - a sombre, moving record with strong tone poem elements detailing (in abstract) the break-up of a relationship and responses to bereavement.
The band released Schoolyard Ghosts on 12 May 2008, receiving some of the most favourable reviews of the band's career (the album was described as "truly sublime" by Classic rock magazine[4]). Guest musicians included Pat Mastelotto, Theo Travis, Gavin Harrison, Colin Edwin, Bruce Kaphan (ex-American Music Club) and The London Session Orchestra (arranged by Dave Stewart).
On 27 May 2008, it was announced that No-Man's music will be featured in the film by award-winning student film-maker Dan Faltz, Weak Species.[5] The film is based on the writings of Dennis Cooper and is currently being considered for expanded feature film treatment.
No-Man played its first full performance in fifteen years at London's Bush Hall on 29 August 2008,.[6] This performance was followed by two more concerts in Zoetermeer (The Netherlands) and Düsseldorf (Germany) on 3 and 4 September respectively. The Zoetermeer concert was No-Man's first concert outside of the UK.
On 22 December 2011, the band announced through their Facebook page that a new live recording, titled Love and Endings, recorded at the Leamington Spa Assembly in October 2011 would be released on 27 February 2012.[8] It was followed by a 5-date tour, including first performance in Poland on 26 August 2012.[9]
Wilson announced in late 2018 that he was working with Bowness on a new No-Man album, the band's first full length album of original material since 2008's Schoolyard Ghosts. Wilson described the album as "music that in many ways sees a return to our roots as a synth-pop band, albeit with the conceptual sweep of our more recent albums".[10]In September 2019 the band announced their new album, Love You to Bits, which was released on 22 November 2019.
In 1984 the University of Washington Huskies won every game but one, ranking second in national polls. For most coaches, such a season would be a career pinnacle. But for Don James second place motivated him to set aside what he knew about football and rethink the game. James made radical changes to his coaching philosophy, from recruitment to becoming one of the first college teams willing to blitz on any down and in any situation. His new approach initially failed, yet it finally culminated in one of the most explosive teams in college football history.
Mike Gastineau has worked as a Seattle sports journalist in radio and print for three decades. His books include Sounders FC, Authentic Masterpiece: The Inside Story of the Best Franchise Launch in American Sports History and Mr. Townsend and the Polish Prince: An American Story of Race, Redemption, and Football.
Fans of the Don James era and anyone who loves college football are in for a gourmet feast. In meticulous yet breezy detail, Mike Gastineau recounts the greatest team in Washington Huskies football history. Never-before-told stories about the indomitable Steve Emtman, the irrepressible Billy Joe Hobert, and the savviness of coordinators Jim Lambright and Keith Gilbertson light up the drama of James's pinnacle achievement.
The passage of time has made the greatness of the 1991 Washington Huskies seem almost mystical, and it takes incredible effort to humanize them while also appreciating their criminally underrated significance to college football. Mike Gastineau accomplishes this difficult task and then some in a definitive account of these national champions. This book frames properly all the dimensions of Don James's masterpiece of a team.
Mike Gastineau pulls back the purple curtain and gives the reader an unvarnished, up-close, and surprising view of what was happening behind the scenes. If you care about University of Washington football, this is a must-read.
This variant of the Exotic biome is characterized by having mega-sized versions of objects found in other biomes, like giant circular rock formations, algae, smokestack plants, and trees. It has an atmosphere that refracts light into a certain colour, which can vary from a strong orange hue to a dismal black-and-white dystopia.
Though classified similarly to exotic planets, it seems to be on a class of its own. It has clear, normal and extreme weather with characteristics similar to lush planets. Flora and fauna here can be discovered. Waypoints are present if the system is inhabited. In the game file (found here), this biome is called Red biome in red systems, Green biome in green systems and Blue biome in blue systems. 59ce067264
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